Third Reich Music in ‘Schindler’s List’

Another welcome showing for this incredible movie on terrestrial television this week, however I must admit that, a little embarrassingly, it was a long time until I finally saw Schindler’s List (especially given the historical field in which Tomahawk Films & I both work); but I hasten to say that it wasn’t for any reasons of ignorance that I just could not bring myself to watch it, but the fact that I did not want to put myself through ‘another concentration camp film drama’…

It was not many years ago that I was asked to narrate a series of documentaries on the Nazi Concentration Camps: Auschwitz-Birkenau, Sobibor, Dachau, Mauthausen, Treblinka, Ravensbrück, Majdanek, Bergen-Belsen, Oranienburg, Buchenwald, Theresienstadt, Sachsenhausen… the infamous names just kept coming…. and the producer asked that I ‘narrate to picture’, something I don’t do that often, preferring to read a script ‘dry’ so I can fully take in and concentrate on the words that have been so carefully written.

In fact the last time I narrated to picture was for a superb 36-part holiday series on The Travel Channel many moons ago where, sadly not having been on location with the crew, I was reduced to sitting, mid-January, in a cold & draughty voice-over booth in a snowy Hampshire, narrating over some utterly enticing pictures of tropical destinations: the Bahamas, Grenada, St Kitts, the Cayman Islands, Turks & Caicos, Trinidad & Tobago, Martinique, Guadaloupe… all tantalising long, lingering shots of bikini-clad beauties, warm azure seas, golden sandy beaches all laid our beneath a legion of tall palm-trees…enough to make you weep as hour after hour of stunning locations unfolded before me and my frozen feet, as I beavered away adding ‘mellifluous tones’ to these oh-so seductive pictures….

However, with the concentration camp documentaries it was another matter entirely as I tried to remain professionally focussed on narrating some very well written scripts but continuously having to look up at the monitor for timings only to keep seeing some pretty grim images…and then some..!

I love doing voice-overs, but this was certainly not one of my easiest nor the most enjoyable of narrating jobs and upon its completion I made a mental note not to watch any more ‘detailed’ concentration camp footage again, if I could help it… thus that previous resistance to sitting through ‘Schindler’s List’ and have to re-live, (or so I imagined), all that harrowing footage once more..!

But how wrong I was for working here in the office late one evening with the television on purely for company in the background, this incredible movie suddenly appeared on screen without prior warning but, too engrossed in the script I was editing at the time, I did not bother to get up from my computer to switch the monitor off. But, oh boy, am I glad I was too absorbed, (or simply too lazy!), to do so for after a very short period I became aware of this incredible black & white movie unfolding before me; then I looked up and became engrossed and then my script-editing stopped.. very shortly after that I was totally hooked… what a superb example of the historical movie-makers‘ art this film is…beautifully shot, beautifully told & beautifully acted…

A 1993 Universal Pictures movie directed by the legendary Steven Spielberg and shot in glorious, evocative monochrome and starring Liam Neeson, Sir Ben Kingsley and Ralph Fiennes, this was a superb take on the true story of Oskar Schindler, a greedy & utterly vain German businessman who became an unlikely saviour during the Third Reich when he turned his munitions factory into a safe-haven for Jews… and over the course of the Second World War he managed, somehow, to save the lives of over 1,000 Jews from a terrible death in the gas-chambers at the Auschwitz-Birkenau concentration camp.

With commissioned music composed by John Williams, the evocative German period music soundtracks come, most fittingly, first in the shape of Mimi Thoma’s emotional Mamatschi’ as written by Oskar Schima.

This is then followed by a very clever and most welcome appearance of Werner Bachmann’s moving ‘Gute Nacht Mutter’ delivered most powerfully by the incredible bass-voice from the legend that was Wilhelm Strienz… the fascinating story of which is explained a little more in depth in one of my previous Tomahawk Films Blogs

Copyright @ Brian Matthews 2013

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