The You Tube Generation…

Finally, after many years Tomahawk Films have been dragged kicking & screaming into the on-line world of Facebook and You Tube, courtesy of a small video, (kindly bolted together by our colleague Craig who helps us out with on-line technology), which showcases some of our stunning Third Reich-era musiker images… but more importantly are set over an exciting 8-track medley of digitally re-mastered Third Reich-era schellack 78rpm records that are available to the collector & motion-picture & TV producers on CD from our Third Reich-era German Archive here in the UK.

For a while now we have been using this evocative sound-track medley on our Tomahawk Films’ website as a useful marketing tool though which pending customers, who maybe unaware of the broadcast studio-quality of our re-mastered recordings, could get a ‘taster’ of our audio output, before putting their hand in their pockets and handing over their hard-earned cash..!

As producer, I admit I’d withstood this technical development for a long while as, way back when, with the varying quality of people’s audio-playback on their computers, there seemed little point in us spending a small fortune at Dubmaster Studios in Hampshire re-mastering our albums and getting the very best digital quality that we could from these wonderful 70-year old schellack 78rpm records, only to then find that somebody was playing back our medley through a computer with ’tinny speakers’ and so neatly undoing all our hard work in the studio in a trice!

However computer speakers & audio play-back has, happily, advanced in leaps & bounds and my own office computer is testament to that with high-grade speakers and a ‘boom box’ under the desk, (ooh, get me!), which plays back all my computer- stored tracks in superb high-definition, bass-led quality that is almost better than my personal hi-fi at home;  so now seemed the right time that we venture into the You Tube world. Besides with so many people out there merely putting up our copyrighted tracks & images on You Tube without asking our permission, we are now working on the theory of ‘if you can beat ‘em, join ‘em’… so it will be interesting to see how many people do now actually find our new You Tube page and give the 8 tracks on there a spin.. and then, if we are lucky, place an order!

Many of you successfully locating that page will actually find some of the tracks quite familiar as these form the basis of the most popular tracks that the movie & television production companies ask our Archive for when we supply our original German Third Reich-era music to their production sound-tracks: from Bruce Willis’s Hollywood motion picture ‘Hart’s War’ to the recent superb 2-part series ‘The Rise and The Fall of the Third Reich’ on the Discovery & History Channels, plus all the other programmes we have supplied music, combat sound-effects and my voice to. (Our Production Credits are listed on our website for those interested in the TV & Movie side of Tomahawk Films!).

It is certainly good to still be getting important credits on TV and in the movies for our soundtracks as this obviously also gives our welcome customers around the globe the confidence that, in buying our studio-quality products, they are getting the best Third Reich archival music available on CD.

To this end we are still resisting going down the path of digital downloads ourselves, for despite several companies ripping us off and offering our tracks as their own ‘original’ downloads without asking us nor indeed paying us the required royalties for using our material, we have noticed that our global audience still prefer to buy a complete CD with its track listings and attractive & distinct ‘Tomahawk Films Red’ covers and have a ‘proper’ collection of our material, rather than a few somewhat ‘bald & antiseptic’ digitally downloaded tracks with nothing to go with them.

It was much the same in the early days of video… many people eagerly bought an expensive VHS or Beta video-recorder to tape documentaries, (primarily the ever-superb The World at War series narrated by Sir Laurence Olivier), however after a while enthusiastic collectors, (including me back in the late 1970s), preferred to buy the actual video complete with box & sleeve notes to proudly build up a collection of WW-II documentaries on their shelves in much the same way as we still do with reference books…

So as long as our customers, (who range in age from the their mid-20s to the their mid-80s), still want our Third Reich German Archive on standard CD & DVD then we will keep releasing them on those formats. No doubt, the next wonder formats will come and go… but we will certainly keep marketing our products on those that most collectors still have and wish to keep making use of… never fear!!

Copyright @ Brian Matthews 2014

German Music in The Movies – Pt 1

Great to see the superb 2002 WW-II Prisoner-of-War Hollywood movie Hart’s War, (starring Bruce Willis & Colin Farrel), getting another welcome airing on the BBC last night.. and so giving Tomahawk another equally welcome double-credit as the archive supplying the main German musik tracks to the film, the Deutschlandlied and the Horst Wessel Lied as performed by the Musikkorps of the Leibstandarte-SS Adolf Hitlerand taken from our album of the same name…

Both the Horst Wessel Lied, (often known as the alternative Nazi National Anthem), and the ‘true’ German National Anthem, were both supplied to Metro-Goldwyn-Mayer in Los Angeles on disc, where both tracks were then beautifully re-worked by MGM’s audio department and dubbed into the sound-track to appear as if coming directly from loud-speakers of the POW camp that Bruce Willis’ character found himself in… and it was most interesting to hear how the movie’s dubbing team were able to suppress and alter our original high quality re-mastered recordings to give that very ‘tinny’ effect of schellack 78rpm records playing on a wind-up record player via an old 1940s metal loudspeaker over a large area…great work!

Actually in addition to the marketing of our CDs & DVDs to collectors & enthusiasts around the world, as a full-time professional German Archive, Tomahawk is now regularly involved in helping, advising & supplying our original music to similar movie & television production companies for use on their documentary & movie soundtracks and latterly, the incredibly moving and thought-provoking 2008 Disney-Miramax, Mark Herman-directed movie ‘Boy in the Striped Pajamas’ (US spelling), also contacted us for help with their soundtrack..

The movie is based on the isuperb 2006 novel ‘Boy in the Striped Pyjamas’ as penned by Irish author John Boyne and which was recently required reading on the history syllabus in schools & colleges here in the UK; and we were contracted to supply two of our tracks, (the Horst Wessel Lied which is actually now one of the most popular tracks for producers, again due to that ‘alternative’ Nazi National Anthem tag), as performed by the Musikkorps der SS-Leibstandarte ‘Adolf Hitler’ and ‘Mein Regiment, mein Heimatland’ as performed by the Musikkorps des Infanterie Regiments Grossdeutschland’ and which can be found on our Third Reich Favourites CD.

In fact this past weekend has been a good ‘un in terms of television credits for Tomahawk, thanks also to the airing on the History Channel of the US New Animal Production’s excellent 2-part series Third Reich – The Rise and The Fall… which was first shown in the US and if you have not yet caught it here over in the UK, then you are in for an absolute treat… I certainly enjoyed oit very much indeed!

I must admit that it has been quite a long while, (despite my 40-odd years of working with, and viewing, archival footage) since I last saw so much original German newsreel footage in a single production such as The Rise and The Fall for, sadly these days, many documentaries are now produced on a very limited budget; allied to that, some network bosses seemingly say to their staff: “go out and make me a documentary on such & such” as if they were heading to the supermarket to merely buy groceries. Sadly I have experienced this at first-hand, having been on the receiving end of a regional TV ‘producer’, (deputed to make such a film at a time of a major WW-II anniversary),  who was sent to me to pick my brains..(free of charge..natch! ).

Unfortunately one of the direct results of these ‘docs on a budget’ is that, unable to afford trained film researchers any more, many WW-II or Third Reich documentaries simply include the same old, (and in many cases very tired), German newsreel footage and you get the impression that the unfortunate individual ordered to find the required footage just sticks his or her head into the Archive to grab the cans or tapes nearest the door on an: ‘oh, that’ll do.. the audience won’t notice”..basis!

Thus it is that often these days, no matter what you watch you will just keep seeing the same old recycled footage coming around time and again..! Makes you wonder why people bother to keep producing such docs in the first place when they have nothing new to add to a debate, nor nothing new to illustrate that debate with…. especially given that most tv audiences for such WW-II documentaries are highly knowledgeable & incredibly well-informed and usually know far more about the subject than most producers do… and will have your legs off at the knees if you make a mistake, especially if it is an unfortunate ‘schoolboy howler’..!

To be fair, I know that original ‘unseen’ footage is becoming ever harder to uncover, which is why the new genre of ‘re-enactors’ being filmed in documentaries is now gaining currency, and though not my favourite production trick I’ll admit, the recent superb Channel 5 series on ‘Heroes of the Skies’ accomplished this with great aplomb, to make a most enjoyable run of programmes.

But this lack of new footage was one of the main reasons Tomahawk Films actively ceased being a WW-II Documentary distributor some 20-odd years ago because every single programme we were being offered increasingly included much the same footage as the previous one, (whatever the WW-II topic being addressed), and we felt we could no longer offer collectors & enthusiasts such a range of apparently ’differing’ documentaries if most were now simply containing the same duplicated footage, time after time.. as that was just not the honourable thing to do..!

However with this superb The Rise and The Fall two-parter by the American New Animal team, they really went the whole hog and not only are their production values quite superb but so much of that I saw in terms of Third Reich archival footage is/was actually new to my eyes. Such a genuine treat and this made it equally exciting for us to see so much our archival music, (12 German tracks supplied in total), being purchased for use on the soundtrack, including a welcome airing for several evocative & spine-tingling tracks from our ever popular Third Reich German Christmas Carols CD..

I was also pleasantly surprised by the producer’s attitude to the doc’s archival music needs in that they also opted for differing tracks from the norm and so also include are lovely dance tracks from our CD ‘Komm mit nach Madeira’:  as performed by Hitler’s favourite band conductor the Hungarian, Barnabas von Géczy, (1897-1971), along with several further emotive tracks from my favourite singer, Ms Lale Andersen as supplied from our Wie einst Lili Marleen CD…

Part one of Third Reich -The Rise has just aired on the Military Channel so I shall now be scanning the TV listings to see when Part Two -The Fall is due to air… hopefully another two hours-worth of really exciting, much unseen & certainly thought-provoking original film footage… and with the appearance of yet more German/Nazi-era period music from the Tomahawk Films WW-II German Archive... result!!

Copyright @ Brian Matthews 2012