Tomahawk Films’ New Year..

A very happy and contented New Year to all of the fantastic and most loyal customers of the Tomahawk Films’ WW-II German Archive that we have around the world and indeed to the ever-growing band of kind and enthusiastic collectors & students of military history now regularly reading our Blog and are beginning to contact us either to share welcome snippets of information or just telling us they are enjoying what we post from time to time here on the Tomahawk Film’s website…

I must admit, (though my friends & colleagues in the business already know it to be fact, sadly), that being the Luddite that I am, I’m so much happier with just a word-processor to write on; so that having to finally launch ourselves into the modern era of ‘social media’ and leave behind the old Tomahawk Films catalogue mail-order business, (that has served us so well over 27 years), has become a bit of a shock to my system… it’s sad, but I know it has to be done!

Albeit still so embarrassing when I watch a tiny tot happily & confidently typing on a lap-top or using the latest mobile phone with all its latest apps & gizmos with such aplomb… makes me feel a right klutz)! Then I content myself with the thought that said tot could not write and produce a 50 minute WW-II TV documentary..but then again, knowing my luck these mega-bright little sparks probably could.. and judging by some current TV output..actually do!

But I find it really worrying that there is now such a cultural divide (or should that be a cultural apartheid?) opening up between those of us over 50 and those under.. and, yes, I am the man that shouts at World’s Strongest Man contests on the box when the commentator says a competitor is ’1.8 metres high and weighs 128kgs’. Excuse me? Speak English man not some strange continental Euro verbiage.. I can imagine a man at 6” 6” weighing 26 stone..but everything else… just forget it!

However persisting with my desire…well it’s not my desire but everybody else’s it seems, (thanks Malcolm!), I actually spent over 6 hours yesterday at our local IT company hopefully, and finally, sorting out the Tomahawk Films website and ensuring that its upgrade to a new, firmer foundation and with a change-over from Card Net (Lloyds Bank’s credit-card clearing bank) to the more global Barclaycard, goes seamlessly. If it does then within the next few weeks the our distinctive German archival website will both have a more secure footing to stand upon and be an easier, more customer-friendly & ultra-secure experience for those German music & film footage fans that generously want to continue buying our rare German archival products via the website and having Barclays accept their welcome Visa & Master card payments on our behalf, (alongside our continued usage of PayPal of course).

If that wasn’t enough (smelling salts Daphne!) I then went through an intensive couple of hours being shown the rudiments of Twitter, Facebook & You Tube, (thanks to the aforementioned Malcolm, who is our great mate Malcolm Moore who runs the excellent Mist of Time on-line & battle re-enactors militaria operation up there in Yorkshire and who is ‘our man in the north’ (along with felllow friend Anthony at Militaria.net) as it was Malcolm that finally convinced us here at Tomahawk that we have to embrace the new social media..or die.

Sadly it is a case in fact that one of the downsides to our fabulous success of our German Archive as we enter our 28th year of operation is that we are a regular target for the myriad rip-off merchants in Europe, Russia and North America who still appear to be sitting in their back bedrooms copying our CDs on a home computer then offering the contents on–line as if it were their own (or passing it off as genuine Tomahawk Films products) or worse simply banging it all up on You Tube without asking our permission. Indeed infamous US pirate even went to all the trouble of copying our distinctive red cardboard covers and placing our ripped-off material on several well known American on-line auction and book sites, but I think a ‘phone call to the right ears disabused him of that notion, hopefully he is now out of business..well we can hope I suppose!

Some youngsters seem to view my generation who’ve been in Film & TV a life-time (so do actually have a small clue as to what we talking about..well sometimes!) as dinosaurs; however for some reason there is a new breed of techno folk coming through now who either have no understanding of the concept of Copyright..or simply care even less and it is really galling when you do a regular Google test to check where our German Archive sits within their listings.. only to find those rip-off merchants are actually ranked higher than our bona fide archive..frustrating in the extreme!

These techno-herberts may be highly advanced in all forms of on-line technology but none of them seems to have grasped the simply concept of Copyright and that if somebody else has that Copyright you simply do not rip it off and post it or advertise it on-line as yours…I think these folk must wear strange glasses that make the words ‘on-line’ translate into ‘free to plunder’… and the on-line authorities seem to care not a jot..well that has to change if there is any justice!

One of these companies passing themselves off as ‘professionals’ have simply lifted our rare and original Kriegsweihnachten Christmas Carols CD (that took me 2 years to source and produce), changed the running order, replaced our distinctive cover and, bold as you like, have it offered on their website as ‘legal downloads’ with some obscure German name appended to the recording to make it look as if they have legally acquired the rights….I think not!.. and in fact I’m not sure they would understand the meaning of the word legal if it hit them in them face. Certainly, and as mentioned before, Tomahawk Films does not offer any of our material as digital downloads as happily, (at least for now) our myriad customers still want our complete archival albums on CD and in an attractive sleeve.. (or the real enthusiastic collectors as I tend to call them!) Perhaps ‘digital’ is not the way forwarded as everybody once blithely predicted..indeed look at the newly burgeoning vinyl market with new material being released onto record..who’d have thought it

Sadly as I increasingly make my way through the business world I see there is precious little honour left in business dealings any more (though with wonderful exceptions inall  the people Tomahawk deals directly with in terms of sale & supply!). I suppose with the pirates, where there is a buck to be made from somebody else’s endeavours, then honour is an alien concept, which is really tragic!

But let’s not get down about the dishonest ‘herberts’ infecting the internet and just be thankful for all the good people out there..to whit, thanks to Malcolm, Craig at our IT company CT Central, my director-cameraman Nobbie and his girl-Friday Harriet, Tomahawk are now about to take the fight to the pirates and ne’er-do-wells by opening our own YouTube account so we can legally list and offer some our archive’s music as tasters of the original material to be found in our archive via the Tomahawk Films website… likewise we will open up a Facebook account to keep ourselves updated and see what’s what in the wider world outside of our production offices here in Hampshire..

I have to say that Twitter is the one that I am least convinced by at the moment as what do you say that can be of any meaning in however few characters you are allowed.?. What can you actually say that might be of some importance to anybody else? Since last evening I have started to follow Jeremy Clarkson, BBC ‘Top Gear’ stalwart and a journalist I admire greatly, (though not for his motoring columns as cars, sadly, do nothing for me), but his weekly newspaper columns about life in general are some of the funniest ‘laugh out loud’ musings I have ever seen and happily are now available as delightful book collections, which I read avidly and highly recommend!

For my money, Jeremy is consistently quite the funniest and irreverent writer currently in print,but watching & reading his exchanges yesterday with a female journalist (who I suspect might be London’s Mayor Boris Johnson’s feisty magazine-editor sister) it all seemed quite inane and not really worthy of taking up any of their valuable time and I thought, er why?

The gist of the tweets seems to a bit of slagging for his most impressive Q17 Arctic Convoy documentary that went out last week and was in fact one of the finest war-time documentaries I have seen of late (after the recent Goering: A Career) and I urge you all to take a gander if you get the chance. Jeremy is just a sublime & confident presenter of such war-time docs as his very evident patriotism shines through and his admiration for the veterans he is talking about certainly adds a very personal touch to the programme.

But returning to his ‘tweets’ of yesterday I sort find all these rather unedifying to have such little spats played out in public.  These are bright people so why do they need twitter..something I am still musing about with Tomahawk. Just why do we need a place to leave inane one-liners when we have our website and our Blog through which to express ourselves more fully? .I cringe even more when certain ‘loved up’ couples in the media seem to play out their entire romance on Twitter of the edification of others and I feel like shouting ‘oh do get a room you two’..!

I don’t know whether it is a ‘showbiz thing’ that these folk have to always been seen in public or cannot live their lives without somebody commenting about them…Malcolm & Nobbie have both told me that Tomahawk being on Twitter, (plus the aforementioned You Tube & Facebook), will all help keep Tomahawk Films in the public eye and so keep us right up in the Google rankings, above the very people trying to rip us off..So if it is for the good of the company then we will give it a go..but I can already see Twitter will be the first of these social media to fall by the wayside for Tomahawk Films, as who is going to be sitting in his bath, say, and be interested in the fact that we have just acquired a new German signalhorn for the archive?

Actually that said, I’ll now completely contradict myself and thank John for contacting us having read my Blog relating to such signalhorns & German Bugles to say that he has recently bought a Max Glass-marked example and do we know of the company?… We certainly do for Max Glass (left) was one of the main manufacturers of such signalling instruments and was prolific in distributing them…but oddly Max Glass was also a typewriter-producing factory and was probably as well known, if not more so, for such German Schreiber machines.

Indeed our good pal Shawn over in Texas very generously gifted us an original invoice (Rechnung) dated September 1st 1939 that he picked up recently as issued by Max Glass from Klingenthal, one of the major musical instrument production areas of Germany (also a ski-jumping town I believe?) during both the years of Imperial Germany and the Third Reich. We just missed adding another Max Glass to the archive over Christmas so must ask John if it was indeed his good self that managed to purchase this bugle from a dealer..it had a small waffenampt stamp to the garland, (something I have never seen before so am keen to hear more about that). However our signalhorn collection continues to ebb & flow..as we speak we are awaiting one from Holland and two from Germany but the Christmas back-log seems to have all 3 still in its grip.. so we must be patient!

However back to the social media and it will just remain to be seen if Tomahawk launching itself on to such platforms will be a success or indeed a damp squib…I must admit I have certainly enjoyed writing the Tomahawk Blog which is now just over a year old…though sometimes the ‘old grey matter’ runs a bit dry and it is not always easy to come up with something new opine on…that is why occasionally there are 3 or 4 Blogs in a couple of weeks or nothing for a month. However it is good to see that since we started Blogging the hits to our Tomahawk Film’s website have actually doubled. So we know you guys out there are finding us..and thank you so much for that..great to know we are not sitting in the dark, wittering to ourselves!

On that front, sad news to report that over the Christmas holidays I heard from the family of former Ober-Kanonier Helmut Zimmerman of the 319th Artillery Regiment stationed in Guernsey, (and whom I wrote about in my Blog and magazines articles A Guernsey Gunner’ returns) passed away on Boxing Day and I would like to extend my deepest condolences to his family. Helmut was a wonderful man whom I was pleased to know and spend some time with over in Guernsey… as with many terrific, German veterans he always had a twinkly smile and a warm greeting and was a much loved friend of Guernsey.

So in being able to share both happy & sad news I can see social media does have its part to play in keeping everybody involved & interested in this specialised field of military study & collecting and to that end I welcome any Blog readers contacting me via the Tomahawk Films website to either say ‘hello’ or share any information or comments about anything I may have written here..or indeed any world war two television documentaries you may have watched & enjoyed that I may have missed? Having spent the bulk of my professional career in the film, TV & sporting outside broadcast world, I am still a sucker for a good TV documentary and still enjoy watching them & writing about them, so please feel free to make contact with me, it’ll be great to hear from you…!

Meantime wishing you all a great year of study & collecting in 2014… Tomahawk certainly did much better in 2013 than expected on sales of archival CDs, DVDs & Books so perhaps the Recession is finally lifting its heavy hand from backs & our wallets… here’s hoping!  

           Copyright @ Brian Matthews 2014

A SS-Leibstandarte ‘Adolf Hitler’ Musikmeister…

As many of our customers will know, all of the pre -1945 German schellack 78rpm records that we acquire, renovate & re-master here at Tomahawk Films & Dubmaster Studios, all come from Germany… however the one rare schellack 78 that we found here in the UK, (at a local Antiques Fair of all things), turned out to be rather prescient: a superb recording by the Musikkorps der Leibstandarte-SS ‘Adolf Hitler’.. however the amazing thing is that a senior member of this elite bodyguard divisional band who performed on that record was the very man that I had just returned from interviewing at some length in Germany the previous week for my book The Military Music & Bandsmen of Hitler’s Third Reich 1933-45…

As signs go this was a corker..! Not least because I could not consider my book complete had I not interviewed a military musician of Hitler’s Armed Forces; so not only had I just met one of these elusive men, but he was the musical second-in-command to the legendary Hermann Mueller-John of the famous Musikkorps Leibstandarte-SS ’Adolf Hitler’, and so could be called the Reich’s second military band-leader and his name: SS-Hauptscharführer Gustav Weissenborn.

But this would not have happened had it not been for the terrific help & encouragement of Obersturmbannführer der ehemalingen Waffen-SS 1.Generalstabsoffizier der 12.SS-Panzerdivision “Hitlerjugend” Hubert Meyer, who generously made all of the necessary introductions and presentation of bona fides to his important former comrade from the SS musical arm… and it was this vital introduction that allowed me to travel to Bad Kreuznach  in Western Germany  accompanied by superb military tour guide, historian and friend, Patrick Hinchy, to act as both my personal guide & interpreter.

So following a flight to Munchen Gladbach and then a personal and superb ‘diverted tour’ to take in the Ardennes and the well-appointed Waffen-SS graveyard at Bastogne, relics of the Third Reich’s West Wall and thence a wonderful drive along the rivers Rhine and the Nahe, I arrived at Bad Kreuznach ahead of my meeting with this famous but oh, so modest former SS-Leibstandarte Musikmeister…

Born in Frankfurt-am-Main in 1913 and the son of a Musikmeister in the Kaiser’s Army, Gustav passed his state musical examinations and left school to join his father’s civilian orchestra and it wasn’t long before he formed his own band, playing daily at tea-dances & weddings up until June 1933, when the new German voluntary labour service (Freiwilliger Arbeitsdienst), advertised for a bandmaster to take over their organisation’s national band. Applying, and being duly selected, Gustav was posted to Hüls to take command of Nielsgruppe 211 but in the following year, the volunteer labour service having become the Reichsarbeitsdienst, Gustav found the re-titled RAD band did not perform to his expectations and so he began looking around for a new musical challenge.

In the summer of 1933, former Sturm-Abteilung musician Hermann Müller-John, was tasked by Sepp Dietrich of the SS-Leibstandarte ‘Adolf Hitler’ to set up a Musikkorps with strength of 36 musicians.. .and the following year an order was issued for its expansion to 72 and a series of recruitment advertisements placed in the German magazine ‘Variety’: Gustav Weissenborn applied, successfully auditioned in Berlin and thenwsent for four weeks basic military training after which all recruits were issued with their uniforms & instruments and ordered to the SS barracks at Lichterfelde in Berlin. Then on November 8th 1934, he travelled down to Munich to swear the SS Oath of Allegiance at the Feldherrenhalle and returned to Berlin as a fully inducted clarinettist in the Musikkorps of the SS-Leibstandarte ‘Adolf Hitler’.

Between 1934 & 1938, he served as an SS-Musiker with a life full of band rehearsals & performances at worker’s concerts in factories and for the public at Berlin’s Zoo; then from 1935 the band performed at the Nuremburg party conventions, Hitler’s official birthday celebrations and as part of the SS honour guard welcoming foreign dignitaries to Berlin… and heard through their orchestral performances on German radio and on schellack 78rpm record.

Up until 1936, SS-LAH concert tours were overseen by civilian managers but now Gustav Weissenborn took charge and during this hectic period, climbed the ladder of promotion: in March 1935 he was promoted SS-Sturmmann, then SS-Rottenführer in January 1937 and SS-Scharführer in March 1938… that year also saw Gustav Weissenborn leave the SS-LAH to pursue a career as a civilian orchestra leader, joining the Kraft durch Freude organisation, who had just commissioned a 25,000 ton cruise liner to provide holidays for the German ‘Volk’.  Named M.S. ‘Wilhelm Gustloff’ Gustav led a 24 strong ship-board orchestra and it was on the ship’s maiden voyage that he met his future wife Elizabeth, a passenger on the cruise.

With the outbreak of war in 1939, the Kriegsmarine commandeered the Wilhelm Gustloff’ as a hospital ship and Gustav’s orchestra transferred to shore-based duties and began performing ‘Front Shows’ to audiences across German-occupied Europe and by August 1942, with some 700 concerts under his belt and preparing for a tour of the Russian Front, (he didn’t relish!), bumped by chance into Hermann Müller-John, who suggested that he rejoin the Leibstandarte instead of heading east. Gustav accepted the offer and was inducted back into the SS-LAH, and promoted SS-Oberscharführer on December 1st 1942.

He soon confirmed his position as Hermann Müller-John’s deputy and with the musicians in the band having an average age of just 23, Gustav again became closely involved with organisating & conducting SS-LAH concerts and was promoted SS-Hauptscharführer. In October 1943 he was tasked with forming a new Musikkorps for the 12.SS-Panzer Division ‘Hitlerjugend’ and by December this new band had completed its training and so in February 1944, Gustav was appointed its Musikmeister, a band with an average age of just 18. In the summer of 1944, it found itself quartered in France following the Allied invasion on June 6th and its young musicians were withdrawn back to Germany.

Despite the end of the war staring the Third Reich in the face, Gustav received orders from Berlin to form another new Musikkorps and so 45 to 50 musicians from the Musikkorps SS-LAH and the 12.SS-Panzer Division ‘Hitlerjugend’ were despatched back to their Lichterfelde, Berlin barracks but found themselves drawn into the final battle for the city as infantrymen against the advancing Russians, many falling in battle… Meanwhile  April 1945 saw the remaining 12.SS-Panzer Division ‘Hitlerjugend’ musicians sent to combat units in Hungary and were soon involved in vicious fighting around St Polten whilst Gustav was ordered to Worgl in Austria to ensure the band’s instruments & orderly-room contents were put into storage.

The beginning of April 1945 also saw the end of the Musikkorps SS-LAH with its  musical instruments, black uniforms & orderly-room documents stashed in a farmer’s hay barn and the remaining musicians picking up rifles to face the advancing US forces. Having hidden the band’s instruments, the rearguard 15 SS-LAH musicians under Hermann Müller-John were ordered to Soll in Austria, where they met up with Gustav and the remainder of his SS-Hitlerjugend musicians, and were attached to a Wehrmacht combat unit. Orders were received for one final move to St Johann on May 7th 1945, but before receiving confirmation of promotion to SS-Untersturmführer, Gustav heard the capitulation of all German military forces would take place the following day, with all weapons to be handed in by 10pm that night!

The war in Europe ended the following day, May 8th 1945 with many surviving musicians taken prisoner and subsequently serving varying terms in POW camps; however, there was a tragic post-script, for SS-LAH Musikmeister Hermann Müller-John who, just ahead of the advancing American forces, shot dead his wife & child who’d joined him, then turned his gun on himself & committed suicide. Happily, however, SS-Hauptscharführer Gustav Weissenborn was able to make his way back to Wiesbaden, where, reunited with his wife, he was able to hang up his uniform and quietly return to an anonymous civilian life… until he kindly agreed to speak with me all these years later and so generously allow me to chronicle and put down on record his military musical life for my book, a much longer version of which appears in The Military Music and Bandsmen of Hitler’s Third Reich 1933-45!

One other final postscript that resulted from the eventual publication of my book is that, several years later, having searched high & low for such a fascinating German military musician as Herr Weissenborn during my pre-production research, and then travelling to Germany to meet and interview him, I got a call from a lovely lady who lived not 5 miles from Tomahawk’s office:

In a sad telephone call, she told me that had she had wanted to make contact as she’d read my book and wanted to let me know that she had just lost her much-loved German husband… a former Luftwaffe military musician whom she had met as a young girl when he was a Prisoner of War working on day release from the nearby Hursley Stockade here in Hampshire..

She also told me that he would have loved my book and so too would his old school pal, who was a musician in the Leibstandarte-SS, and who actually used to come over from Germany to spend each summer with his old musical comrade…

So there it was, completely unknown to me during my studies: two veteran professional Third Reich military musicians, one of them from a Luftwaffe Musikkorps and the other from the Musikkorps SS-Leibstandarte ‘Adolf Hitler’, both of whom would also have loved to have talked with me about my work.. and both of them not a stone’s throw from where I was quietly beavering away…

….and I simply had no idea..!

Copyright @ Brian Matthews 2013

Obersturmbannführer der ehemalingen Waffen-SS Hubert Meyer…

It was with great sadness that Tomahawk Films recently learned of the passing of Obersturmbannführer der ehemalingen Waffen-SS 1.Generalstabsoffizier der 12.SS-Panzerdivision “Hitlerjugend” Hubert Meyer at his home in Germany on November 16th of last year…

Born in Berlin in 1913 and a highly decorated & twice wounded combat officer who, after training at the SS Officer School at Bad Tölz in Bavaria, served with great distinction in Poland, France, Holland, the Balkans & Russia, (where he won the Cross in Gold to his previously awarded EK.1), the then SS-Hauptsturmführer Meyer held senior rank with both the elite Leibstandarte-SS ‘Adolf Hitler’ and 12.SS-Panzerdivision Hitlerjugend’.

After continued exemplary leadership in the field, a newly promoted SS-Sturmbannführer Meyer attended the General Staff Officer course at the Wehrmacht’s War Academy and after graduating, was appointed Senior Staff Officer of the newly formed 12.SS-Panzerdivision ‘Hitlerjugend’, taking temporary command in 1944 following the capture of Kurt Meyer.

After relinquishing command to Fritz Kraemer later in ’44, Meyer resumed his role as Ia of 12.SS-Panzerdivision‘Hitlerjugend’ and was promoted to SS-Obersturmbannführer, (Lt Col), remaining on the Divisional staff throughout the remainder of the war, finally surrendering to the Americans with the rest of his Division on May 8th 1945.

Post-war, Herr Meyer lived quietly & studiously near Cologne, West Germany where, in addition to becoming a much respected senior representative and official spokesman of the Association of Veterans of the Waffen-SS, (HIAG), he also became a concise & passionate ‘keeper of historical knowledge, ultimately writing the definitive 2-Volume history of the 12.SS-Panzerdivision “Hitlerjugend” that was published in English only as recently as 1994.

In the later part of his life, Herr Meyer, was a most wonderful friend to, and great supporter of, Tomahawk Films and our archival work devoted to the traditional German soldier song and through his ever enthusiastic help & encouraging word, we were granted the exclusive rights to re-master & re-produce both of our SS-Veteran Soldatenchor Minden’s post-war recording sessions, (through his kind introductions to choir-master Willy Casselmann, also formerly of the Leibstandarte-SS ‘Adolf Hitler’), and so allow Tomahawk the proud opportunity of raising some modest sums by way of royalties from these two CDs to donate to HIAG for the support of needy Waffen-SS veterans and their families.

In a further much appreciated gesture that was so in keeping with the generous spirit of the former officer we knew, Herr Meyer later kindly suggested that Tomahawk Films should be allowed to keep all future royalties from these two Soldatenchor Minden recordings, the better to help with our ongoing study and promotion of much loved German military music…and this we will gladly and most sincerely continue to do in his memory!

Very importantly to Tomahawk’s work, it was also former Leibstandarte-SS and 12.SS-Panzerdivision ‘Hitlerjugend officer Hubert Meyer that very kindly sought out and so generously made all of the necessary introductions and presentation of bona fides to a former important comrade of his from the musical arms of both the Leibstandarte-SS ’Adolf Hitler’ & 12.SS-Panzerdivision ‘Hitlerjugend’ that subsequently allowed me to travel to Bad Kreuznach  in Western Germany during the writing of my book: The Military Music & Bandsmen of AH’s Third Reich 1933-45.

With a planned chapter hoping to document the life & times of a German Military Musikmeister I was able to meet the retired musician & band leader, former SS-Hauptscharführer Gustav Weissenborn… and not just any Musikmeister, but in Herr Weissenborn I was meeting & interviewing the musical second-in-command to the legendary Hermann Mueller-John of the world famous Musikkorps Leibstandarte-SS ’Adolf Hitler’, before taking musical command, in his own right, of the military band of 12.SS-Panzerdivision ‘Hitlerjugend’.

In interviewing Herr Weissenborn in his beautiful home town on the banks of the Name river, I was also meeting a senior Waffen-SS musician who had both served in, and led, two of the greatest military bands in the world.. and the only two out of three elite Third Reich Musikkorps that still performed their musical duties right up until April 1945, just a month before war’s final end in May 1945.

Herr Meyer’s wonderful help & involvement in our work was something quite out of the ordinary and in fact every military researcher’s dream and I simply could not have imagined my book being the complete or finished work it eventually was, (nor indeed where Tomahawk might be today), were it not for his terrific stamp of approval upon what my little company & I were trying to achieve.

I am therefore personally moved when I say that, in Herr Meyer, Tomahawk Films could not have had a more supportive former serving senior Third Reich-era German officer when it came to the study, production and hopefully the on-going preservation of WW-II German military music and its ever attendant & evocative ‘Soldier Song’ and we shall miss his hugely encouraging letters and Christmas cards greatly.

So with great sadness at the news of the passing of this highly respected & most honourable of military men we would very much like to extend our sincerest & deepest condolences to his immediate family who have, just as generously, offered Tomahawk Films their unstinting and most generous help & support in relation to our labours in the field of this evocative and exciting of military music. 

Hubert Meyer was a most dignified and very proud former combat soldier who was revered & respected by his men in equal measure, even more so when, post-war, he headed up that highly regarded German welfare organisation, HIAG, in order to look after the well-being of so many former soldiers of the Waffen-SS and their families…

These were wonderful ex-combat veterans who proudly served their country but which, in turn, cruelly and unjustly denigrated them and the incredible service & sacrifice they freely gave for that country they loved so unconditionally, and I know his sad passing will be mourned by many in Germany and here in the United Kingdom…

                     Copyright @ Brian Matthews 2013