Tomahawk Films’ New Year..

A very happy and contented New Year to all of the fantastic and most loyal customers of the Tomahawk Films’ WW-II German Archive that we have around the world and indeed to the ever-growing band of kind and enthusiastic collectors & students of military history now regularly reading our Blog and are beginning to contact us either to share welcome snippets of information or just telling us they are enjoying what we post from time to time here on the Tomahawk Film’s website…

I must admit, (though my friends & colleagues in the business already know it to be fact, sadly), that being the Luddite that I am, I’m so much happier with just a word-processor to write on; so that having to finally launch ourselves into the modern era of ‘social media’ and leave behind the old Tomahawk Films catalogue mail-order business, (that has served us so well over 27 years), has become a bit of a shock to my system… it’s sad, but I know it has to be done!

Albeit still so embarrassing when I watch a tiny tot happily & confidently typing on a lap-top or using the latest mobile phone with all its latest apps & gizmos with such aplomb… makes me feel a right klutz)! Then I content myself with the thought that said tot could not write and produce a 50 minute WW-II TV documentary..but then again, knowing my luck these mega-bright little sparks probably could.. and judging by some current TV output..actually do!

But I find it really worrying that there is now such a cultural divide (or should that be a cultural apartheid?) opening up between those of us over 50 and those under.. and, yes, I am the man that shouts at World’s Strongest Man contests on the box when the commentator says a competitor is ’1.8 metres high and weighs 128kgs’. Excuse me? Speak English man not some strange continental Euro verbiage.. I can imagine a man at 6” 6” weighing 26 stone..but everything else… just forget it!

However persisting with my desire…well it’s not my desire but everybody else’s it seems, (thanks Malcolm!), I actually spent over 6 hours yesterday at our local IT company hopefully, and finally, sorting out the Tomahawk Films website and ensuring that its upgrade to a new, firmer foundation and with a change-over from Card Net (Lloyds Bank’s credit-card clearing bank) to the more global Barclaycard, goes seamlessly. If it does then within the next few weeks the our distinctive German archival website will both have a more secure footing to stand upon and be an easier, more customer-friendly & ultra-secure experience for those German music & film footage fans that generously want to continue buying our rare German archival products via the website and having Barclays accept their welcome Visa & Master card payments on our behalf, (alongside our continued usage of PayPal of course).

If that wasn’t enough (smelling salts Daphne!) I then went through an intensive couple of hours being shown the rudiments of Twitter, Facebook & You Tube, (thanks to the aforementioned Malcolm, who is our great mate Malcolm Moore who runs the excellent Mist of Time on-line & battle re-enactors militaria operation up there in Yorkshire and who is ‘our man in the north’ (along with felllow friend Anthony at Militaria.net) as it was Malcolm that finally convinced us here at Tomahawk that we have to embrace the new social media..or die.

Sadly it is a case in fact that one of the downsides to our fabulous success of our German Archive as we enter our 28th year of operation is that we are a regular target for the myriad rip-off merchants in Europe, Russia and North America who still appear to be sitting in their back bedrooms copying our CDs on a home computer then offering the contents on–line as if it were their own (or passing it off as genuine Tomahawk Films products) or worse simply banging it all up on You Tube without asking our permission. Indeed infamous US pirate even went to all the trouble of copying our distinctive red cardboard covers and placing our ripped-off material on several well known American on-line auction and book sites, but I think a ‘phone call to the right ears disabused him of that notion, hopefully he is now out of business..well we can hope I suppose!

Some youngsters seem to view my generation who’ve been in Film & TV a life-time (so do actually have a small clue as to what we talking about..well sometimes!) as dinosaurs; however for some reason there is a new breed of techno folk coming through now who either have no understanding of the concept of Copyright..or simply care even less and it is really galling when you do a regular Google test to check where our German Archive sits within their listings.. only to find those rip-off merchants are actually ranked higher than our bona fide archive..frustrating in the extreme!

These techno-herberts may be highly advanced in all forms of on-line technology but none of them seems to have grasped the simply concept of Copyright and that if somebody else has that Copyright you simply do not rip it off and post it or advertise it on-line as yours…I think these folk must wear strange glasses that make the words ‘on-line’ translate into ‘free to plunder’… and the on-line authorities seem to care not a jot..well that has to change if there is any justice!

One of these companies passing themselves off as ‘professionals’ have simply lifted our rare and original Kriegsweihnachten Christmas Carols CD (that took me 2 years to source and produce), changed the running order, replaced our distinctive cover and, bold as you like, have it offered on their website as ‘legal downloads’ with some obscure German name appended to the recording to make it look as if they have legally acquired the rights….I think not!.. and in fact I’m not sure they would understand the meaning of the word legal if it hit them in them face. Certainly, and as mentioned before, Tomahawk Films does not offer any of our material as digital downloads as happily, (at least for now) our myriad customers still want our complete archival albums on CD and in an attractive sleeve.. (or the real enthusiastic collectors as I tend to call them!) Perhaps ‘digital’ is not the way forwarded as everybody once blithely predicted..indeed look at the newly burgeoning vinyl market with new material being released onto record..who’d have thought it

Sadly as I increasingly make my way through the business world I see there is precious little honour left in business dealings any more (though with wonderful exceptions inall  the people Tomahawk deals directly with in terms of sale & supply!). I suppose with the pirates, where there is a buck to be made from somebody else’s endeavours, then honour is an alien concept, which is really tragic!

But let’s not get down about the dishonest ‘herberts’ infecting the internet and just be thankful for all the good people out there..to whit, thanks to Malcolm, Craig at our IT company CT Central, my director-cameraman Nobbie and his girl-Friday Harriet, Tomahawk are now about to take the fight to the pirates and ne’er-do-wells by opening our own YouTube account so we can legally list and offer some our archive’s music as tasters of the original material to be found in our archive via the Tomahawk Films website… likewise we will open up a Facebook account to keep ourselves updated and see what’s what in the wider world outside of our production offices here in Hampshire..

I have to say that Twitter is the one that I am least convinced by at the moment as what do you say that can be of any meaning in however few characters you are allowed.?. What can you actually say that might be of some importance to anybody else? Since last evening I have started to follow Jeremy Clarkson, BBC ‘Top Gear’ stalwart and a journalist I admire greatly, (though not for his motoring columns as cars, sadly, do nothing for me), but his weekly newspaper columns about life in general are some of the funniest ‘laugh out loud’ musings I have ever seen and happily are now available as delightful book collections, which I read avidly and highly recommend!

For my money, Jeremy is consistently quite the funniest and irreverent writer currently in print,but watching & reading his exchanges yesterday with a female journalist (who I suspect might be London’s Mayor Boris Johnson’s feisty magazine-editor sister) it all seemed quite inane and not really worthy of taking up any of their valuable time and I thought, er why?

The gist of the tweets seems to a bit of slagging for his most impressive Q17 Arctic Convoy documentary that went out last week and was in fact one of the finest war-time documentaries I have seen of late (after the recent Goering: A Career) and I urge you all to take a gander if you get the chance. Jeremy is just a sublime & confident presenter of such war-time docs as his very evident patriotism shines through and his admiration for the veterans he is talking about certainly adds a very personal touch to the programme.

But returning to his ‘tweets’ of yesterday I sort find all these rather unedifying to have such little spats played out in public.  These are bright people so why do they need twitter..something I am still musing about with Tomahawk. Just why do we need a place to leave inane one-liners when we have our website and our Blog through which to express ourselves more fully? .I cringe even more when certain ‘loved up’ couples in the media seem to play out their entire romance on Twitter of the edification of others and I feel like shouting ‘oh do get a room you two’..!

I don’t know whether it is a ‘showbiz thing’ that these folk have to always been seen in public or cannot live their lives without somebody commenting about them…Malcolm & Nobbie have both told me that Tomahawk being on Twitter, (plus the aforementioned You Tube & Facebook), will all help keep Tomahawk Films in the public eye and so keep us right up in the Google rankings, above the very people trying to rip us off..So if it is for the good of the company then we will give it a go..but I can already see Twitter will be the first of these social media to fall by the wayside for Tomahawk Films, as who is going to be sitting in his bath, say, and be interested in the fact that we have just acquired a new German signalhorn for the archive?

Actually that said, I’ll now completely contradict myself and thank John for contacting us having read my Blog relating to such signalhorns & German Bugles to say that he has recently bought a Max Glass-marked example and do we know of the company?… We certainly do for Max Glass (left) was one of the main manufacturers of such signalling instruments and was prolific in distributing them…but oddly Max Glass was also a typewriter-producing factory and was probably as well known, if not more so, for such German Schreiber machines.

Indeed our good pal Shawn over in Texas very generously gifted us an original invoice (Rechnung) dated September 1st 1939 that he picked up recently as issued by Max Glass from Klingenthal, one of the major musical instrument production areas of Germany (also a ski-jumping town I believe?) during both the years of Imperial Germany and the Third Reich. We just missed adding another Max Glass to the archive over Christmas so must ask John if it was indeed his good self that managed to purchase this bugle from a dealer..it had a small waffenampt stamp to the garland, (something I have never seen before so am keen to hear more about that). However our signalhorn collection continues to ebb & flow..as we speak we are awaiting one from Holland and two from Germany but the Christmas back-log seems to have all 3 still in its grip.. so we must be patient!

However back to the social media and it will just remain to be seen if Tomahawk launching itself on to such platforms will be a success or indeed a damp squib…I must admit I have certainly enjoyed writing the Tomahawk Blog which is now just over a year old…though sometimes the ‘old grey matter’ runs a bit dry and it is not always easy to come up with something new opine on…that is why occasionally there are 3 or 4 Blogs in a couple of weeks or nothing for a month. However it is good to see that since we started Blogging the hits to our Tomahawk Film’s website have actually doubled. So we know you guys out there are finding us..and thank you so much for that..great to know we are not sitting in the dark, wittering to ourselves!

On that front, sad news to report that over the Christmas holidays I heard from the family of former Ober-Kanonier Helmut Zimmerman of the 319th Artillery Regiment stationed in Guernsey, (and whom I wrote about in my Blog and magazines articles A Guernsey Gunner’ returns) passed away on Boxing Day and I would like to extend my deepest condolences to his family. Helmut was a wonderful man whom I was pleased to know and spend some time with over in Guernsey… as with many terrific, German veterans he always had a twinkly smile and a warm greeting and was a much loved friend of Guernsey.

So in being able to share both happy & sad news I can see social media does have its part to play in keeping everybody involved & interested in this specialised field of military study & collecting and to that end I welcome any Blog readers contacting me via the Tomahawk Films website to either say ‘hello’ or share any information or comments about anything I may have written here..or indeed any world war two television documentaries you may have watched & enjoyed that I may have missed? Having spent the bulk of my professional career in the film, TV & sporting outside broadcast world, I am still a sucker for a good TV documentary and still enjoy watching them & writing about them, so please feel free to make contact with me, it’ll be great to hear from you…!

Meantime wishing you all a great year of study & collecting in 2014… Tomahawk certainly did much better in 2013 than expected on sales of archival CDs, DVDs & Books so perhaps the Recession is finally lifting its heavy hand from backs & our wallets… here’s hoping!  

           Copyright @ Brian Matthews 2014

Hitler’s Combat Newsreels on DVD…

From as far back as I can recall, I always seemed to have an abiding interest in military history…my first awareness in my youth being that of the British side of the story in both the First and Second World Wars, (my paternal grandfather having been a pre-war professional soldier who served with the Essex Regiment in the trenches of the Western Front between the years 1914-18).

However thanks to my coming across the eye-popping Third Reich collection of a great mate Phil, in my later teens, (who happened to live just around the corner from my parent’s house), my fascination for military history very much became focussed on the story of the Nazi era, yet it was to be another 10 years before I had a chance to actually turn my private studies into, effectively, a life-time of work in this fascinating historical and archival field of period film & music…

In fact I had been working for some while with small Winchester-based Film & TV company Lacewing Productions, (at that time primarily cutting my teeth as Production Manager on the famous and evergreen series: ’The Old Country with Jack Hargreaves’), when I mooted to the two directors that I thought, with this new-fangled thing called ‘video’ just coming into vogue, (I joined the telly world when 16mm film was still the shooting & programme transmission medium via tele-cine), there was now an opportunity to start re-releasing many of the WW-II documentaries being sold to the collector on super 8mm home-reels onto video… and perhaps even set up a dedicated mail-order company to market such military material straight to the enthusiast?

I was allowed to spend any down-time I had at the studio researching into the viability of my ideas but sadly, by the time that I had realised that I was indeed onto a winner, Lacewing had gone under, so I put all of my notes away safely and went off to work as a freelancer. However several years later, through a circuitous route, Tomahawk Films was created, with me at the helm, and so I went back into the old files and dusted off my notes…

By now several other companies had also realised that WW-II documentaries on video were the ‘latest thing’ and there was now a market for such titles…so Tomahawk very soon became an archival distribution & mail-order company seeking out & sourcing some fantastic WW-II documentary footage and releasing it to an avid video market that could not get enough!

Eventually our World War Two video catalogue, entitled Images of War, offered some 400 exciting documentary titles and we had mail-order customers all over the world…but slowly alongside the original, in-house work that I was putting into producing my documentary Channel Islands Occupied, I was also putting out the word out I was looking for anybody that might be sitting on any captured German film footage. Sounds silly saying it now, but I thought back then that there might just be a chance that amongst the veteran soldiers who brought all sorts of souvenirs back like helmets, flags & badges etc, somebody might have had the chance to ‘acquire’ some film cans…so I put an advert in the old Exchange and Mart, as was back then….and I actually got a reply!!!

A former British intelligence officer telephoned to say that he had pile of rusty German film cans ‘under his spare bed’ if I was interested in coming and having a look…? So not wanting to miss a possible opportunity I jumped in my car and headed north to Yorkshire to meet this lovely old chap..and sure enough there, under that spare bed, was indeed a pile of 16mm mute film.

Pulling out an old British army projector, he started spooling up the first can, and over the next few hours I sat transfixed as I saw some of the most exciting German Propaganda Kompanie combat film footage I had ever seen…(for even by the late 1980s as this was, I was already starting to see the same old film footage being put out in a range of documentaries and was aching to see something new!). By the end of the impromptu film show my head was reeling but I knew that I wanted very much to buy this film footage..so after a fabulous dinner in the nearby town, and probably having imbibed one too many glasses of excellent wine, I offered him £2,000, (a fortune then and not an insignificant amount now), for all 16 cans, to which he very readily and happily agreed..!

During dinner he was able to fill me in a little more and explained that, in 1945 he and his driver had arrived in Hanover only to stumble across Ukrainian troops ransacking the city’s main Gestapo Headquarters and looking for treasures whilst also throwing cine-projectors from an upstairs window!!  Brandishing his pistol he burst into the building and charged upstairs through the Ukrainian troops coming downstairs, loaded with their booty, and on seeing piles of film cans stacked in a blazing room, grabbed 16 of them and retreated back to his jeep to be driven back to his Allied base camp for security analysis… and there they stayed until after the war when, amazingly, he was handed them back, considered to be his own personal ‘booty’ which should be returned!

The cans were put into his spare room and remained, untouched, until my E & M advert in the mid 80s stirred his memory, when I was called and subsequently arrived to see all the cans resurface completely intact! Once I had the them safely in Tomahawk’s care we arranged to have the film taken up to the heart of the film industry in London’s Soho, where all of the reels were expertly cleaned & re-oiled to get rid of the years of dirt and so bring them sparkling back to life.

Once lovingly restored we brought in a 16mm film editor to cut & splice the stunning sequences together to effectively produce four exciting video titles from the restoration of these superbly detailed German combat newsreels, which were then transferred to 1” tape thence latterly to Beta SP as new master formats came on-line…

As I alluded to earlier, most of this Nazi Propagandakompanie footage had never been in public before and though it had many sub-titles throughout, there were no soundtracks found with it and we assumed that, as Die Wochenschau (Weekly Newsreels), such footage was destined to be shown in local German cinemas in its silent form with perhaps just piano or other musical accompaniment maybe.

However rather than leave it silent Tomahawk acquired a stirring German soundtrack, (now released as a separate audio CD) and armed with a newly acquired collection of WW-II sound effects (also available as an SFX archive on our CD Sounds of War), we went into the studio, with Simon ‘Woody’ Wood, who was back then a freelancer before the days of his current studio, studio Dubmaster, who really brought this incredibly film to life. In fact it was this German music soundtrack that would eventually set Tomahawk films off into its direction of Third Reich Military & Civilian Music on CD…a direction that we had no inkling of at the time!!

Which also helps explain to our later Third Reich Musik collectors, unaware of our early genesis, why we are actually called Tomahawk Films:   simply because of that fact that we started out as a war-time documentary film company but as, slowly & steadily, our name became synonymous with German Military music we did think about a possible name change to reflect that fact…

However we soon realised that, from a marketing point of view, once you are well known for something in particular, you certainly don’t throw the baby out with the bathwater and change your name… so even though 75% of our historical media work is now in the German archival music field, rather than the in ‘pure documentary production film’ arena, the name ‘Tomahawk Films’ stayed and our Third Reich music continues to be happily marketed on CD around the world under our well-known moniker..!

So after Woody, (the first time that Tomahawk Films had actually worked with him, the second being as sound recordist on our 50′ television documentary ‘Channel Islands Occupied’) had produced his sound-on-film dubbing magic, Tomahawk proudly released the outcome as a 4-part video series, each with its own separate title:

Russian Front Volume I: The all-out action begins as Wehrmacht cameramen cover the combat assault teams across the Dneiper River, taking Minsk, Stalingrad and Rostov whilst close-quarter action intercuts with spectacular footage in the cockpits of Me-110′s and He-111′s battling high above the Russian steppes…

Russian Front Volume II : The intense and bloody combat photography continues in the heat of battle as the German infantry storm Kharkov and Kersch with flame throwers & heavy M.G’ whilst a fascinating record of the siege of Sevastapol offers an incredible sequence on German heavy artillery, including the Wehrmacht’s truly awesome railway guns…

Air Land and Sea: A Kriegsmarine Honour Guard introduces the Scharnhorst, Prinz Eugen and Gneisenau’s ‘Channel Dash’ under R.A.F. attack whilst rare Dieppe newsreel and the Waffen-SS in Finland leads into ‘Murmansk to Africa’, a lightning overview of the war and ends with some really exciting Luftwaffe in-cockpit action in ‘Air War in the East’.

Finally the 4 title: Afrika Korps: which offers desert combat footage from the war in North Africa, including Ju-88′s in action, Italian assault troops, German troops under canvas with Rommel and the Fall of Tobruk; also Luftwaffe footage of the air attack on Malta and finally a great sequence offering ground crews ‘bombing-up’ and close ups of Kesselring and fighter ace Marseille…

At a later date we took the decision to then re-edit all four titles together to make an exciting and more cost-effective 90 minute video for our customers entitled: The Combat Newsreels of Adolf Hitler’s Third Reich,which in turn became a world-play DVD of the same name, still with its incredible 16mm footage and stirring German music and combat effects soundtrack…

Over the years I have often thought about writing a  script and narrating it for the DVD, but do you know what?.. the film footage is so exciting and so gripping that any random voice-over, (however well or pertinently I had written a script), would have added little to the viewer’s enjoyment and possibly merely insulted their intelligence.

So in the end I opted to leave these incredible Combat Newsreels with just their rip-roaring music & combat sound effects sound-track where pertinent…and happily I made the right decision judging from the enthusiastic customer feed-back we get..and the fact it still keeps selling in its many thousands..!.

Even today, I have still seen very little of this footage used in the myriad TV documentaries that keep appearing on television, so I still bless the day that my old appeal for German footage via the pages of the Exchange & Mart came up trumps..!

Copyright@ Brian Matthews 2013