Tomahawk Films Under Water…

I awoke the other morning, or rather I was woken, by the incessant sound of sawing..and when I finally came to with a clear enough brain and looked out of the window I could see a funny little bearded man in back garden surrounded by a huge pile of wood..and realised it was Noah building himself another Ark… and I am not surprised he is in such advanced planning as it is still raining here on the South Coast after some 2 months or so!

I cannot believe how a little country likes ours can receive so much constant rain..it seems to me as if it has been raining almost every day since before Christmas..I know we have actually had some precious rain-free days, but the overall memory to date is just a continual torrent of the wet stuff…(and as some wag said the other day, despite it being the wettest winter since records began, no doubt the Water Companies will be warning us of drought conditions later this summer..they’d better not!)

The problem seems to be constant rain streams coming across the Atlantic and they are making landfall in Devon, Cornwall & South Wales and from the news reports those parts are having a  really bad time of it, with farms under water, railway lines physically broken and still the water rises..and still the Government seems to be ‘fiddling while Rome burns’. The scuttlebutt in the pub is that whenever there is a disaster anywhere else in the non-English-speaking world, the ‘charity do-gooders’ throw their hands in the air, rush straight to the advertising companies and produce gut-wrenching, emotionally black-mailing TV adverts exhorting us to hand over more of hard–earned, (in addition to the £13 billion our governmental masters are eagerly giving away in overseas aid each year to other countries). Currently this is leaving many of us wondering if our neighbouring countries are now running similar TV Appeals urging their people to give to this growing British Flood disaster?

One joke doing the rounds aptly sums up how it works in Britain: an old couple are sitting on the roof of their house in Cornwall surrounded by rising flood water and after 5 days up there, they espy a small boat with three Red Cross volunteers speeding towards them.The old couple cry out in relief to the boat.. ’have you come to rescue us? No! shout back the volunteers, we are collecting donations for Syria!!!!

As I say dear reader, that just about sums up this country..we help everybody else yet nobody givers a ‘brass razoo’ about us poor Brits…we have to do everything ourselves.. yet on that note my little village of Twyford is pulling together, (some 13 years after our last major flood), and the past 3 days for Tomahawk have been spent in helping to fill sandbags and patrolling the rising flood water. I managed to spend 7 hours in the water with others on Sunday as the floods spread out down the valley from the Hazeley Down area, (which is full of natural springs deep within the chalk).

Indeed we have a Victorian pumping station on the outskirts of the village, so pure is our water, however though that water is great to drink, the vast amount of it is now posing a big problem as the constant fall of rain means that everywhere is just waterlogged and the hillsides can just take no more and are literally now bursting at the seams. In fact when I walked along the Hazeley Road yesterday, (which now resembles a fast-flowing river rather than tarmac road), I could see actual ‘geysers’ of water rising a foot into the air from the sodden ground in the adjacent fields and onto the road..!

Thus far about a quarter of a mile or so of road is under water and cut off to traffic and the edge of the flood has reached the centre of the village and everything is being done to stem the flow. Over the weekend all sorts of important people from the various Environment agencies came out, plus the local Member for Parliament, village councillors, TV news crews and assorted members of the press to report on progress.. and then yesterday it went quiet again with just a few of us trying to maintain the situation before more stoic local folk turned up to help fill yet further sandbags.

The main problem is now we have no idea when the rain will stop or indeed how much more water is still in the hills and yet to find its way into the torrent rushing down into the village. Thankfully we are nowhere near as bad either as our 2000 flood or indeed as the poor folk down in Devon & Cornwall are now, but we are still in danger of having some of our low lying neighbours flooded out, so the constant whirr of water pumps can he heard pumping out water from these low-lying properties is now the constant background noise.

As is often said, at times like these the old ‘Dunkirk Spirit’ kicks in with people pitching in and doing what they can to help and we now have a constant rota of people in bright yellow tabbards trying to direct traffic to ensure people can still reach the village store & cafe..but the amount of indignant people who get ratty because they can’t go where they want to is just amazing. Whilst most people are quite understanding it beggars belief that others are too dense to realise that we are in a  tricky situation. As for those who see we are struggling with the rising water yet try to drive through at high speed so sending a tidal wave over us..well it takes all our will power not to drag them from their cars and dunk their fat heads under the waves they are causing.. .you certainly see both the best & worst of people at times like these..!

So hopefully valued customers of Tomahawk Films will also understand if their orders are a little later than our usual speedy despatch as we break off from our normal day’s work here at our production offices just above the flood to pitch to help our neighbours. So far we have done 3 days on the bounce and will try to spend today back at Tomahawk HQ catching up.. but as it is now raining again we’ll try to break off tomorrow and pitch in once more, wherever we’re needed..!

Talking of Tomahawk, the floods notwithstanding our planned monthly geriatric lad’s get-together of former TV colleagues took place at our local, The Phoenix, last night and I am delighted that amongst our small gathering of 7 was the cameraman on Tomahawk Films ‘Channel Islands Occupied‘ TV documentary, Ian ‘Nobby’ Fraser (left) and my old sound-recordist buddy and former colleague on Jack Hargreaves ‘Out of Town’ series, Phil Wade.. and talking of floods, to use an appalling DJ link, (that I would certainly have been strung up for using in my radio days!) the memories of our former working lives certainly flooded back over a riotous couple of hours!

But returning to the rising water outside, we now just have to see if the submarine will return with more aid..I contacted the Ministry of Defence and they said the skipper will try to ‘come about’ when he reaches the end of the road at Morestead and hope to sedately return along Hazeley Road distributing vital supplies, (ie cider), so thankfully even with today’s severe defence budget cuts, you can still rely on the Royal Navy. .the true ‘Dunkirk Spirit’ personified..!

Copyright @ Brian Matthews 2014

 

‘Got it wrong again, Dad..!’

Well here I am still struggling valiantly on behalf of the Tomahawk Films WW-II German Archive with the necessary evils of Social Media… and that’s without even having wrestled yet with the thorny issue of mastering You Tube and posting up bite-sized snippets from our Archive..(seems many others have already loaded up some of our German music clips & CD covers without our permission, so I feel it only polite that we, as the original copyright-holders, actually get a look–in and have a go ourselves!)

But oh boy! is my learning curve still steep.. with so much coming at me since the sad loss of dear old Stan, Tomahawk Film’s web-master, all this technical fannying around has fallen to me to get my head around and as I opined in one of my former Blogs, I am having to assimilate so much in recent months that my head is in danger of exploding.! It must have been great to be born at a time when all of this new media technology just came naturally to you: in fact my much loved & dearly missed mum always used to ask if it was something she should get involved with?… and I always told her in no uncertain terms to avoid it all costs.!

I would have done the same if today’s modern world didn’t view it as such an essential business tool; in fact only yesterday I heard the superb actor Martin Shaw being interviewed on Radio Two about his new series of ‘Inspector George Gently’ (starting tomorrow night on the Beeb) and when the subject came around to Facebook it was more than obvious that he is implacably imposed to it all and also avoids it like the plague.. and I silently thought: ‘lucky blighter that you can..!’

However the next generation growing up with all of this as ‘natural’ merely take it in their stride, but those young shavers have to remember that my colleagues & I come from the generation that glorified in ITV’s The Sweeney when Regan & Carter would have to break off from a high-speed car chase, tailing a ‘motor full of villains with shooters’ in the East End, to find a ‘phone box to make an urgent call back to HQ..! No good the young sniggering about that, as that was just the way it was and so it is that my generation of 50-somethings are now the apparent dinosaurs… great! But when all the satellites ‘go on the fritz’ after being hit by a meteor shower we at least will know how to write & talk to each other… some of us even know how to do long-division (well not me, I was a somewhat ‘theatrical’ History & English wallah with my head in the clouds… and not much change there either!)

However thanks to my great TV director & cameraman mate Ian ‘Nobby’ Fraser and his wonderful Girl-Friday, Harriet, both have continued to expend further valuable time in trying to help me find my way through the trials & tribulations of Facebook though sadly, ‘Dear Listener’ I have to shamefacedly admit I have transgressed yet again..dang!.. and much to everybody’s exasperation, I find myself on the FB Naughty Step… again, for Pete’s sake.. and it’s for 14 bloomin’ days this time!

Apparently I was again spotted by members of the the FB Polizei Feld-Division contacting another couple of fellow WWII German enthusiasts and that is verboten!.. As was noted before, you may contact friends only on FB to which I counter: that is what the pub, the ‘phone and e-mail is for..!

However Nobby very kindly took me to one side and quietly said “Look Bruno you are imbuing Facebook with far too much importance and a business ethic it doesn’t actually possess..it is just a place for mates to swap gossip and send each other cute little pictures of kittens or donkeys standing on their head…it’s not like the public library or theTomahawk Films website where you post up serious archival & historical information and promote yourself in a business sense.. Facebook is like buying a tabloid newspaper, looking at a couple of  lurid stories & interesting pics inside…then throwing it out..it is literally here today & gone tomorrow..!”

And that was my big mistake..I actually thought Facebook was like a company website where you put up your work & allied information for folk to use like a reference source, (and also exchange links with like-minded folk). But once I finally realised that FB is just a bit of lightweight fun & frolics and nothing more and that this ‘Daily Star’ approach to life is actually their raison d’être in place of a business plan, it has made all the difference to my thinking. So rather than post up written articles I am now limiting myself to sticking up interesting Tomahawk archival pictures with perhaps a few lines of explanation, (or stuff I’ve worked on in my career), writing funny captions on other peoples often hilarious images and just enjoying seeing what other people on FB find funny or thought-provoking.

More worrying however is that I too am now going awwww!! at pictures of kittens & Boxers and laughing uproariously at aforesaid mentioned donkeys standing on their head…but the fact that many other like-minded military-historical enthusiasts are now enjoying our Tomahawk Films WW-II German Archive Page and following us is a real a bonus..!

My original plan was just to go on FB to help Tomahawk Films get noticed by Google  and so hopefully rise above the rankings of those pirating our original Tomahawk Films archive, but it is actually turning out to be quite a fun place to be and I can now clearly see the attraction… it is also having an unexpected but happy consequence to my own personal & professional life as well!

As kind readers of my Blogs may know, before Tomahawk Films I had a very interesting period as a freelancer in television production plus a parallel 8 years or so as a local radio presenter and as I wrote in a recent Blog, my very first professional job in telly was as Unit Production Manager on Jack Hargreaves’ ‘Out of Town/The Old Country’ working alongside my old pal Phil Wade who was the superb sound recordist on the series. One of the unintended consequences of  now being on Facebook is I then found a Jack Hargreaves Page and as a result of that I  posted a small bit about my former role in the Out of Town story and since then have been welcomed in by Jack’s growing legion of followers which in turn is hopefully leading Phil & I to meet up with the man behind those Facebook pages, Simon Baddeley, Jack’s step-son…

So all of this social media is slowly & gradually staring to weave small links throughout my professional & personal life (which I can see is also one of its many attractions), because this new Out of Town link comes at a time when Phil and I also met up after almost 20 years or so of not being in touch, courtesy of Nobby’s 60th birthday bash just before Christmas..(pictured in the photo are my Dad, Dennis left, Nobby middle, Phil right). At what was a ‘superb do’ that I had not realised Phil was attending, we linked up again and through gales of laughter the years rolled away..!

It seems like only yesterday that Phil & I were working together on the Jack Hargreaves’ shows, (and also enjoying a riotous skiing holiday in Westerndorf, Austria in the first mid-shoot break!) and as we left Nobby’s bash we all made a pact to meet up again on the basis that none of us is getting any older and the only time we have spied each other of late was from opposite aisles at funerals… not a good state of affairs by any stretch of the imagination!

Happy to say we’ve now had our first ‘geriatric lad’s night’ out at the local watering hole: The Phoenix Inn, in my village of Twyford (at which the photo albums came out) and apart from the laughter resulting from comparing lack-of-hair and me being accused of actually dying my hair.. bloody cheek!.. plus a measuring of ever-expanding waist-lines (on some!), we also recalled some of the shoots we did… a couple I don’t recall even being on..that’s age for you!

Since then we have started to slowly catch up on our disparate lives via text ahead of our next monthly meet-up, (at which we are hoping to have 3 more mates from the past join us to also exchange wig-length & ‘beer belly’ statistics), and a surprising thing for me in meeting up again was to learn that Phil’s son Ollie Wade has become a very talented singer… his dad Phil was always a dab hand as a singer-songwriter and he’s obviously passed this skill on to his lad..!

Some of our old group back in our pre-television days had varying rock careers in the music biz: the second band I drummed for, ‘Adam West and The Gotham City Rockers’, lasted for a few very successful years on the local circuit here on the South Coast (during which time Nobby, unbeknownst to me at the time as an aspiring TV cameraman, actually looked after our lighting & gig poster design)… there’s a very spooky early crossing of later lives for you..!

I’m embarrassed to admit now that I was totally unaware of him in those heady times, yet years later he has happily become one of my closet buddies.. In fact we all had great fun in our early, if short-lived, disparate musical careers and though some came closer to a recording contract than others, reality dawned and we realised we had to get proper jobs, (if you can call television & radio a ‘proper job’!)

However it is obviously a case of what is in the genes is almost always passed on and in Ollie Wade I am thrilled to have seen on You Tube, (so yes all this Social media is working & interlocking our lives), what an absolutely superb singer he is, possessed of a very haunting delivery and indeed look.. and those of us who know Phil well can see his dad in him.. very ‘mini-me’. Though I don’t get involved in any promotion of up & coming musicians or media-types these days, (as I feel it is just too much like today’s short-cut reality TV to those of us who spent years practising, gigging, learning our craft and driving to & from myriad venues late at night in battered transit vans, dreaming of an album deal.. or even, gasp, a rare appearance on TV), however with Ollie, this is a very different kettle of fish..!

I linked into his superb You Tube pages yesterday to see B/W footage of his latest cover ‘Say Something’ (which I’d never heard until yesterday, but most spookily yet again, has just come on the radio as I write..how weird and how prescient is that ?) and I am genuinely blown away by his obvious talent.. and I urge you, if you have a moment, to make the link yourself and listen in to this brilliant young man sing..what a voice..his parents Phil & Nicky must be so proud of him...and rightly so!

I pray he doesn’t go down the television wannabe route and be used & abused by the music industry as with so many previous ‘one-hit wonders’ (or X-Factor winners as they are now known!), but gets picked up by trusted music-career professionals and bags a ‘proper’ recording deal for, with his obvious talents, I know Ollie Wade is a star of the future..and remember… you heard it here on the Tomahawk Films’ Blog… go for it Ollie!

….now, where’s that hilarious Facebook photograph of a Boxer puppy driving a German armoured car..?

Copyright @ Brian Matthews 2014

Out of Town with Jack Hargreaves..

Well, I am seemingly getting the hang of this Facebook ‘thing’.. apart from the heinous transgression of having the temerity of contacting like-minded people interested either in World War Two Military History… and I am still sitting on The Naughty Step for another 11 hours..apparently..before I can purge my sins and rejoin the Facebook community and starting befriending folk once more…

However one of the exciting things for me is that whilst looking around FB to see what other folk get up to, I noticed a Jack Hargreaves Page…a wonderful surprise and a trip down memory lane for me for, as a young 22 year old just starting out in the TV business in the early 80s, (and as a real country-boy myself having had Jack as my childhood hero), I am genuinely thrilled to say that my very first job in broadcast TV was as the Unit Production Manager on 60 episodes of Jack’s famous show commissioned by the new Channel 4, (which Jack undertook as a favour to his old pal and fellow Picture Post journalist, Jeremy Isaacs who was, at that time starting up this new and potentially ground-breaking television channel).

Having just turned 56, it is now quite amazing to realise that it was some 36 years ago that, working through Lacewing Productions in based down in the old crypt of the church in St Peters Street in Winchester, (chosen by Jack as his former Southern TV editor & good friend Dave Knowles was a partner in this new Winchester-based film company), our enthusiastic young team were awarded, (and trusted with), such an important television contract for Channel Four. I had only been with Lacewing for a few months as a trainee studio manager when I was asked by Dave if I’d like to be the Production Manager on this new series for Jack…delighted to be asked, I in turn, asked what does a Production Manager do? To get the swift answer ‘there’s a desk, there’s a phone..learn’!

..and learn I certainly did... and within a short space of time we had located Jack’s ‘Out of Town Shed’, (and myriad props) sitting in a hanger in Southampton and so organising a pick-up truck I collected the flats and took this very famous & much-loved piece of Southern Television history over to Meonstoke Village Hall, (the village where TV director Steve Wade lived) in Hampshire where we set about faithfully re-building Jack’s set as per the old days..

Short of an old military stove and a roll-top desk I went up to a props company in London and located just the two items we needed to complete the scene, (and wandering around that company was a story in itself as I recognised props from Dr Who and several other famous shows) and having collected them and completed the recreation of Jacks’ shed, we then proceeded to shoot studio-links effectively as an Outside Broadcast..ie cameras inside and an OB truck parked outside the hall containing director, sound engineer, vision mixer, P.A. & racks engineer), playing in new 16mm film footage (shot by local film cameraman Steve Wagstaff of Jack out & about in the countryside) that had already been be edited in Winchester ready to be played in.

The first 20 episodes went down a storm with the new Channel Four audience and we were ecstatic when another two series were commissioned & awarded to Dave Knowles’ new film company The Production Unit and a further happy 2 years shooting the studio sequences in the lovely village of Meonstoke ensued!

For reasons I can’t remember today, (probably legal!), we could not name this new series Out of Town as previously, so a  new name was needed. I had, in passing, suggested to Jack the title ‘The Old Country’..and that indeed was what those following glorious 60 episodes on Channel 4 went out as and they were such a joy to work on. Oh, that reminds me, we could also not use the original Out of Town song by Max Bygraves for some reason or other so Jack, being a most canny operator, got a television technician of his acquaintance who played guitar to record a very relaxing and extremely fitting instrumental track which then became The Old Country’s official new theme-tune..

Jack was the most fabulous raconteur & joke-teller you could ever imagine and his fund of stories were just fabulous, a number stemming from his days as a tank commander during the Second World War. Not surprising then that during  our lunch breaks taken at the pub in Meonstoke, Jack with pint of real ale to hand, would hold court and the youngsters on the crew (or usually just me!) would find ourselves either hanging on every word, spell-bound, or laughing fit to bust..In fact I recall that on more than one occasion I had to ask Jack to ‘politely’ shut up as my sides were aching from so much laughter…

He once told a story dating from his war-time tanker days where he was standing on a parade ground watching a tank, engine idling, sitting with just one crew member aboard. Said crew member suddenly remembered he had left something in his billet and jumped out, but as he did his foot caught the upper hatch and it slammed shut..and locked! This would have been bad enough but as the squaddie jumped out of the hatch, his heavy boot clipped the gear-lever and the tank was somehow knocked into drive and moved off slowly at a very regal and sedate 2mph… and with not a soul inside to stop it…what a hoot!

Cue much hysterical laughter as Jack vividly explained how this tank then slowly wandered off across the parade-ground, flattening various, huts, including the NAAFI and other sundry buildings, with more squaddies all over the show trying in vain to stop it..!.The way that Jack also brought this story to life was just pure joy and the cue for yet more pains in the side and our crew gasping for breath..!

I also recall on set one day, just as the cameras were about to turn over, he cracked a gag (one of the funniest & dirtiest I have ever heard up until that tender age of 22) and back then we had an much older, rather po-faced, floor-manager who didn’t laugh much as a rule, but as Jack delivered the punch-line with real verve, this FM broke into such gales of hysterical, uncontrolled laughter that we all thought he was either going to have coronary on the studio floor..or wet himself.. or quite possibly both!

But then Jack always knew what he was doing..: his timing was superb and his memory & powers of recall quite unbelievable, allied to which he knew how to deliver both a gag and a story brilliantly. I think it was his old mate & sparring partner Fred Dineage (of ‘How’ & World of Sport fame and now Meriden’s mainstay news presenter in Southampton), who once opined, if I’ve got it right, that if you gave Jack a ping-pong ball and asked him to talk about it, he would hold forth for half an hour without faltering once on the merits of the inside of said ball..amazing!

In fact in all of my long-ish TV & Broadcasting career to date, I have never ever met another man such as Jack that did not use a script or autocue in his day-to-day work! In fact it used to irk me more than a little when folk talking to me about working with Jack would state with much certainty that’ “you could see him looking off camera at a script”..which was complete rubbish and I used to get quite offended as towards the end I actually came to look on Jack as a surrogate grandfather and was, (like all of our crew), very protective of him & the programmes we were producing!

What Jack was doing was, in fact, talking directly to us, his crew, standing behind or just off the camera. We were very much a small family unit, (as Jack liked it to be), and we all used to sit on set watching him and he would simply keep looking off camera at us as he talked…almost drove poor old Steve the director nuts as he wanted Jack looking straight to camera and not at us… Happy Days indeed!

After 60 episodes of the Old Country Jack then ‘retired again’ and we thought that was that.. until he was later asked by former production colleagues up in London, if he would come out of retirement again to produce another 28 episodes for world distribution. So it was that the former ‘The Old Country’ television director Steve Wade, his son Phil, again on sound, and myself (excited to be asked to reprise my former role as Unit Production Manage)r, all very happily teamed up once again. This time however we used Jack’s real shed, (full of his beloved props), over at his home in Shillingstone in Dorset, went into production mode once more, this time using his favourite old film sequences from his days at Southern TV..

We shot the links in his shed and then moved inside his house where, sitting in his arm-chair, he’d voice-over the film-clips into a Nagra recorder as Phil & I sat at his feet having our own personal performance of Out of Town, whilst marvelling at the truly wonderful presenter that Jack was, narrating without a script in sight!

And a further laugh for me was that during filming the 60 episodes of The Old Country over at Meonstoke folk would say to me ”ah I can see he is in a  real shed” to which I would reply it was a set, then when the 28 episodes shot in his shed at Shillingstone aired on regional TV, those self-same folk would say “ah yes, I can see that is a TV set” to which I would have to say, wrong again, this time it is his real shed..! In fact I think the header photo of him on the ‘Jack Hargreaves Facebook Page’ is indeed a publicity shot from his shed when we were filming those last 28 episodes from his home in beautiful, deepest Dorset!

In recent months I have noticed that several companies are now offering boxed versions of ‘Out of Town’, (one set listed as the ‘Lost Tapes’ or some such), on DVD and wonder if it is actually these last 28 episodes that we shot in Jack’s ‘real shed’?

But all-in-all, I am extremely proud of the 88 episodes I worked on with Jack, (in my long-lost freelance days before I formed Tomahawk Films and became a voice-over artiste), and count myself very fortunate (and ever grateful to Dave Knowles) to have had such an opportunity of working so closely with that boyhood hero of mine…  I also know that he was not just a hero to me for wherever I still go today and talk about my TV & broadcasting career, when Jack’s name crops up, I am simply staggered by the amount of folk that, like me, also grew up with him and love to talk to me about working with him as I did..!

It’s funny to remember back when my school mates rushed home to watch the footie on TV, whilst I’d rush home to watch Out of Town.. never knowing that years later it would be my first production job in broadcast television. I consider myself both lucky & honoured to have been so closely involved with this great broadcaster and ‘man of the countryside’…..

Copyright @ Brian Matthews 2014

Hitler’s Combat Newsreels on DVD…

From as far back as I can recall, I always seemed to have an abiding interest in military history…my first awareness in my youth being that of the British side of the story in both the First and Second World Wars, (my paternal grandfather having been a pre-war professional soldier who served with the Essex Regiment in the trenches of the Western Front between the years 1914-18).

However thanks to my coming across the eye-popping Third Reich collection of a great mate Phil, in my later teens, (who happened to live just around the corner from my parent’s house), my fascination for military history very much became focussed on the story of the Nazi era, yet it was to be another 10 years before I had a chance to actually turn my private studies into, effectively, a life-time of work in this fascinating historical and archival field of period film & music…

In fact I had been working for some while with small Winchester-based Film & TV company Lacewing Productions, (at that time primarily cutting my teeth as Production Manager on the famous and evergreen series: ’The Old Country with Jack Hargreaves’), when I mooted to the two directors that I thought, with this new-fangled thing called ‘video’ just coming into vogue, (I joined the telly world when 16mm film was still the shooting & programme transmission medium via tele-cine), there was now an opportunity to start re-releasing many of the WW-II documentaries being sold to the collector on super 8mm home-reels onto video… and perhaps even set up a dedicated mail-order company to market such military material straight to the enthusiast?

I was allowed to spend any down-time I had at the studio researching into the viability of my ideas but sadly, by the time that I had realised that I was indeed onto a winner, Lacewing had gone under, so I put all of my notes away safely and went off to work as a freelancer. However several years later, through a circuitous route, Tomahawk Films was created, with me at the helm, and so I went back into the old files and dusted off my notes…

By now several other companies had also realised that WW-II documentaries on video were the ‘latest thing’ and there was now a market for such titles…so Tomahawk very soon became an archival distribution & mail-order company seeking out & sourcing some fantastic WW-II documentary footage and releasing it to an avid video market that could not get enough!

Eventually our World War Two video catalogue, entitled Images of War, offered some 400 exciting documentary titles and we had mail-order customers all over the world…but slowly alongside the original, in-house work that I was putting into producing my documentary Channel Islands Occupied, I was also putting out the word out I was looking for anybody that might be sitting on any captured German film footage. Sounds silly saying it now, but I thought back then that there might just be a chance that amongst the veteran soldiers who brought all sorts of souvenirs back like helmets, flags & badges etc, somebody might have had the chance to ‘acquire’ some film cans…so I put an advert in the old Exchange and Mart, as was back then….and I actually got a reply!!!

A former British intelligence officer telephoned to say that he had pile of rusty German film cans ‘under his spare bed’ if I was interested in coming and having a look…? So not wanting to miss a possible opportunity I jumped in my car and headed north to Yorkshire to meet this lovely old chap..and sure enough there, under that spare bed, was indeed a pile of 16mm mute film.

Pulling out an old British army projector, he started spooling up the first can, and over the next few hours I sat transfixed as I saw some of the most exciting German Propaganda Kompanie combat film footage I had ever seen…(for even by the late 1980s as this was, I was already starting to see the same old film footage being put out in a range of documentaries and was aching to see something new!). By the end of the impromptu film show my head was reeling but I knew that I wanted very much to buy this film footage..so after a fabulous dinner in the nearby town, and probably having imbibed one too many glasses of excellent wine, I offered him £2,000, (a fortune then and not an insignificant amount now), for all 16 cans, to which he very readily and happily agreed..!

During dinner he was able to fill me in a little more and explained that, in 1945 he and his driver had arrived in Hanover only to stumble across Ukrainian troops ransacking the city’s main Gestapo Headquarters and looking for treasures whilst also throwing cine-projectors from an upstairs window!!  Brandishing his pistol he burst into the building and charged upstairs through the Ukrainian troops coming downstairs, loaded with their booty, and on seeing piles of film cans stacked in a blazing room, grabbed 16 of them and retreated back to his jeep to be driven back to his Allied base camp for security analysis… and there they stayed until after the war when, amazingly, he was handed them back, considered to be his own personal ‘booty’ which should be returned!

The cans were put into his spare room and remained, untouched, until my E & M advert in the mid 80s stirred his memory, when I was called and subsequently arrived to see all the cans resurface completely intact! Once I had the them safely in Tomahawk’s care we arranged to have the film taken up to the heart of the film industry in London’s Soho, where all of the reels were expertly cleaned & re-oiled to get rid of the years of dirt and so bring them sparkling back to life.

Once lovingly restored we brought in a 16mm film editor to cut & splice the stunning sequences together to effectively produce four exciting video titles from the restoration of these superbly detailed German combat newsreels, which were then transferred to 1” tape thence latterly to Beta SP as new master formats came on-line…

As I alluded to earlier, most of this Nazi Propagandakompanie footage had never been in public before and though it had many sub-titles throughout, there were no soundtracks found with it and we assumed that, as Die Wochenschau (Weekly Newsreels), such footage was destined to be shown in local German cinemas in its silent form with perhaps just piano or other musical accompaniment maybe.

However rather than leave it silent Tomahawk acquired a stirring German soundtrack, (now released as a separate audio CD) and armed with a newly acquired collection of WW-II sound effects (also available as an SFX archive on our CD Sounds of War), we went into the studio, with Simon ‘Woody’ Wood, who was back then a freelancer before the days of his current studio, studio Dubmaster, who really brought this incredibly film to life. In fact it was this German music soundtrack that would eventually set Tomahawk films off into its direction of Third Reich Military & Civilian Music on CD…a direction that we had no inkling of at the time!!

Which also helps explain to our later Third Reich Musik collectors, unaware of our early genesis, why we are actually called Tomahawk Films:   simply because of that fact that we started out as a war-time documentary film company but as, slowly & steadily, our name became synonymous with German Military music we did think about a possible name change to reflect that fact…

However we soon realised that, from a marketing point of view, once you are well known for something in particular, you certainly don’t throw the baby out with the bathwater and change your name… so even though 75% of our historical media work is now in the German archival music field, rather than the in ‘pure documentary production film’ arena, the name ‘Tomahawk Films’ stayed and our Third Reich music continues to be happily marketed on CD around the world under our well-known moniker..!

So after Woody, (the first time that Tomahawk Films had actually worked with him, the second being as sound recordist on our 50′ television documentary ‘Channel Islands Occupied’) had produced his sound-on-film dubbing magic, Tomahawk proudly released the outcome as a 4-part video series, each with its own separate title:

Russian Front Volume I: The all-out action begins as Wehrmacht cameramen cover the combat assault teams across the Dneiper River, taking Minsk, Stalingrad and Rostov whilst close-quarter action intercuts with spectacular footage in the cockpits of Me-110′s and He-111′s battling high above the Russian steppes…

Russian Front Volume II : The intense and bloody combat photography continues in the heat of battle as the German infantry storm Kharkov and Kersch with flame throwers & heavy M.G’ whilst a fascinating record of the siege of Sevastapol offers an incredible sequence on German heavy artillery, including the Wehrmacht’s truly awesome railway guns…

Air Land and Sea: A Kriegsmarine Honour Guard introduces the Scharnhorst, Prinz Eugen and Gneisenau’s ‘Channel Dash’ under R.A.F. attack whilst rare Dieppe newsreel and the Waffen-SS in Finland leads into ‘Murmansk to Africa’, a lightning overview of the war and ends with some really exciting Luftwaffe in-cockpit action in ‘Air War in the East’.

Finally the 4 title: Afrika Korps: which offers desert combat footage from the war in North Africa, including Ju-88′s in action, Italian assault troops, German troops under canvas with Rommel and the Fall of Tobruk; also Luftwaffe footage of the air attack on Malta and finally a great sequence offering ground crews ‘bombing-up’ and close ups of Kesselring and fighter ace Marseille…

At a later date we took the decision to then re-edit all four titles together to make an exciting and more cost-effective 90 minute video for our customers entitled: The Combat Newsreels of Adolf Hitler’s Third Reich,which in turn became a world-play DVD of the same name, still with its incredible 16mm footage and stirring German music and combat effects soundtrack…

Over the years I have often thought about writing a  script and narrating it for the DVD, but do you know what?.. the film footage is so exciting and so gripping that any random voice-over, (however well or pertinently I had written a script), would have added little to the viewer’s enjoyment and possibly merely insulted their intelligence.

So in the end I opted to leave these incredible Combat Newsreels with just their rip-roaring music & combat sound effects sound-track where pertinent…and happily I made the right decision judging from the enthusiastic customer feed-back we get..and the fact it still keeps selling in its many thousands..!.

Even today, I have still seen very little of this footage used in the myriad TV documentaries that keep appearing on television, so I still bless the day that my old appeal for German footage via the pages of the Exchange & Mart came up trumps..!

Copyright@ Brian Matthews 2013